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   <title>The Battle of China (1944)</title>
   <link>https://eng.videoess.com/the-battle-of-china-1944_79cc5a2bc.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/79cc5a2bc-1.jpg"  /></p><p>"The Battle of China," Chapter VI of Frank Capra's "Why We Fight" series, explains why the Empire of Japan possessed such a strong interest in ruling the disparate lands of China. In an attempt to break<br /> the will of the Chinese people in one massive assault, Japan invades Nanking and massacres forty thousand civilians. The attack results in an opposite effect, galvanizing the Chinese resistance and unifying the separate lands into a single Chinese identity. While the Japanese take control of all Chinese ports, hoping to cut off all resources from its victim, China's allies effectuate an engineering miracle. They construct the seven hundred mile long Burma Road over the mountains of Myanmar, and set up a constant caravan of trucks to ship food and materiel to the Chinese armies, keeping them alive. Frustrated by their inability to conquer China, the Japanese turn their attention to the islands of the Pacific, and the United States.<br /><br /></p>]]></description>
   <pubDate>Mon, 23 Jul 2018 08:49:59 +0000</pubDate>
   <media:content medium="video" duration="3732"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Battle of China (1944)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/79cc5a2bc-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;&quot;The Battle of China,&quot; Chapter VI of Frank Capra&apos;s &quot;Why We Fight&quot; series, explains why the Empire of Japan possessed such a strong interest in ruling the disparate lands of China. In an attempt to break&amp;lt;br /&amp;gt; the will of the Chinese people in one massive assault, Japan invades Nanking and massacres forty thousand civilians. The attack results in an opposite effect, galvanizing the Chinese resistance and unifying the separate lands into a single Chinese identity. While the Japanese take control of all Chinese ports, hoping to cut off all resources from its victim, China&apos;s allies effectuate an engineering miracle. They construct the seven hundred mile long Burma Road over the mountains of Myanmar, and set up a constant caravan of trucks to ship food and materiel to the Chinese armies, keeping them alive. Frustrated by their inability to conquer China, the Japanese turn their attention to the islands of the Pacific, and the United States.&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
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   <title>Divide and Conquer (1943)</title>
   <link>https://eng.videoess.com/divide-and-conquer-1943_89659e293.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/89659e293-1.jpg"  /></p><p>Divide and Conquer (1943) was the third film of Frank Capra's Why We Fight propaganda film series, dealing with the Nazi conquest of Western Europe in 1940.<br /> The film begins immediately after the fall of Poland. Of the two major Western Allies of 1940, the United Kingdom is first to be mentioned. The role of the Royal Navy in blockading Germany is highlighted, in that it means that Germany must overcome British resistance in order to clear the way for its world conquest.<br /> Hitler's treachery towards the small neutral countries of Europe is exposed - to Denmark: "We have concluded a non-aggression pact with Denmark" - to Norway: "Germany never had any quarrel with the Northern States and has none today" - to the Netherlands: "The new Reich has always endeavored to maintain the traditional friendship with Holland" - and to Belgium: "The Reich has put forth no claim which may in any way be regarded as a threat to Belgium". These quotes are repeated after the conquest of each of these countries is shown.<br /> The first targets of the Nazis in 1940 were Denmark and Norway. Nazi interest in Norway is described in terms of Germany's desire to use Norway's fjords as U-boat bases, and to use airfields in Norway for a bomber attack on the British naval base at Scapa Flow. After Hitler's surprise invasion of Denmark is briefly mentioned, the film accuses the Nazis of using Trojan Horse ships - designed to look like merchant ships but concealing troops, tanks and artillery guns - as a way of seizing control of all of Norway's ports. The role of Norwegian traitors such as Vidkun Quisling in aiding the Nazi conquest of Norway is also emphasized. At the end of the section on Norway, Hitler is likened to gangster John Dillinger and Nazi-occupied Norway is portrayed as the northern claw of a giant pincer movement aimed against Britain. The conquest of France would provide the southern claw.<br /> The film's story of France begins in 1914 at the Battle of the Marne. The offensive-minded spirit of French general Ferdinand Foch is emphasized: "My right is driven in, my center is giving way, the situation is excellent, I attack!" (the original in French is displayed on-screen). The film then goes on to describe the defensive orientation of 1930s France, exemplified by the Maginot Line. This is explained as being primarily due to the 6 million casualties which France suffered in World War I, but also due to factors including Nazi fifth column activities, political corruption and greedy vested interests.<br /> Possible routes for a German invasion of France are discussed: the 1870 attack through Alsace-Lorraine and the 1914 attack through Belgium. The French, believing the Maginot Line impregnable, expect the German attack to come through Belgium, as in 1914. The French order of battle in 1940 is described: 78 divisions along the border with Belgium, 15 in the Maginot Line, 10 divisions facing Mussolini's forces in Italy and 3&frac12; divisions as a safeguard against Spain. The British Expeditionary Force contributed an additional 10 divisions.<br /> The important role of paratroopers in the conquest of Holland is covered, as is the fact that the Germans easily defeated Belgian resistance at Fort Eben-Emael knowing the best method of attack after extensive practice on an exact copy of the fortress built in occupied Czechoslovakia. Special attention is also paid to Nazi atrocities, such as the bombing of Rotterdam (which according to the film was after the surrender of the Netherlands) and Nazi attacks on villages and small towns (designed to choke roads with refugees and thus impede the Allied troop movements).<br /> It is then mentioned that the Nazis' attack on Belgium and Holland was a feint to distract from the main attack through the Ardennes, where the Allies least expected it. A U.S. military officer shows an animation which demonstrates the German blitzkrieg technique - tanks form the front spearhead, while infantry spill off from the sides to form solid walls, thus protecting the center of the column through which trucks pass to supply all forces involved. France Germany why we fight British Nazi Poland World War II<br /> <br /> Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838<br /> <br /> -~-~~-~~~-~~-~-<br /> Please watch: "THE LAST MAN ON EARTH" <br /> https://www.youtube.com/watch?v=AtZCKu-Swgo<br /> -~-~~-~~~-~~-~-</p>]]></description>
   <pubDate>Mon, 23 Jul 2018 08:49:59 +0000</pubDate>
   <media:content medium="video" duration="3383"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Divide and Conquer (1943)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/89659e293-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;Divide and Conquer (1943) was the third film of Frank Capra&apos;s Why We Fight propaganda film series, dealing with the Nazi conquest of Western Europe in 1940.&amp;lt;br /&amp;gt; The film begins immediately after the fall of Poland. Of the two major Western Allies of 1940, the United Kingdom is first to be mentioned. The role of the Royal Navy in blockading Germany is highlighted, in that it means that Germany must overcome British resistance in order to clear the way for its world conquest.&amp;lt;br /&amp;gt; Hitler&apos;s treachery towards the small neutral countries of Europe is exposed - to Denmark: &quot;We have concluded a non-aggression pact with Denmark&quot; - to Norway: &quot;Germany never had any quarrel with the Northern States and has none today&quot; - to the Netherlands: &quot;The new Reich has always endeavored to maintain the traditional friendship with Holland&quot; - and to Belgium: &quot;The Reich has put forth no claim which may in any way be regarded as a threat to Belgium&quot;. These quotes are repeated after the conquest of each of these countries is shown.&amp;lt;br /&amp;gt; The first targets of the Nazis in 1940 were Denmark and Norway. Nazi interest in Norway is described in terms of Germany&apos;s desire to use Norway&apos;s fjords as U-boat bases, and to use airfields in Norway for a bomber attack on the British naval base at Scapa Flow. After Hitler&apos;s surprise invasion of Denmark is briefly mentioned, the film accuses the Nazis of using Trojan Horse ships - designed to look like merchant ships but concealing troops, tanks and artillery guns - as a way of seizing control of all of Norway&apos;s ports. The role of Norwegian traitors such as Vidkun Quisling in aiding the Nazi conquest of Norway is also emphasized. At the end of the section on Norway, Hitler is likened to gangster John Dillinger and Nazi-occupied Norway is portrayed as the northern claw of a giant pincer movement aimed against Britain. The conquest of France would provide the southern claw.&amp;lt;br /&amp;gt; The film&apos;s story of France begins in 1914 at the Battle of the Marne. The offensive-minded spirit of French general Ferdinand Foch is emphasized: &quot;My right is driven in, my center is giving way, the situation is excellent, I attack!&quot; (the original in French is displayed on-screen). The film then goes on to describe the defensive orientation of 1930s France, exemplified by the Maginot Line. This is explained as being primarily due to the 6 million casualties which France suffered in World War I, but also due to factors including Nazi fifth column activities, political corruption and greedy vested interests.&amp;lt;br /&amp;gt; Possible routes for a German invasion of France are discussed: the 1870 attack through Alsace-Lorraine and the 1914 attack through Belgium. The French, believing the Maginot Line impregnable, expect the German attack to come through Belgium, as in 1914. The French order of battle in 1940 is described: 78 divisions along the border with Belgium, 15 in the Maginot Line, 10 divisions facing Mussolini&apos;s forces in Italy and 3&amp;frac12; divisions as a safeguard against Spain. The British Expeditionary Force contributed an additional 10 divisions.&amp;lt;br /&amp;gt; The important role of paratroopers in the conquest of Holland is covered, as is the fact that the Germans easily defeated Belgian resistance at Fort Eben-Emael knowing the best method of attack after extensive practice on an exact copy of the fortress built in occupied Czechoslovakia. Special attention is also paid to Nazi atrocities, such as the bombing of Rotterdam (which according to the film was after the surrender of the Netherlands) and Nazi attacks on villages and small towns (designed to choke roads with refugees and thus impede the Allied troop movements).&amp;lt;br /&amp;gt; It is then mentioned that the Nazis&apos; attack on Belgium and Holland was a feint to distract from the main attack through the Ardennes, where the Allies least expected it. A U.S. military officer shows an animation which demonstrates the German blitzkrieg technique - tanks form the front spearhead, while infantry spill off from the sides to form solid walls, thus protecting the center of the column through which trucks pass to supply all forces involved. France Germany why we fight British Nazi Poland World War II&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; -~-~~-~~~-~~-~-&amp;lt;br /&amp;gt; Please watch: &quot;THE LAST MAN ON EARTH&quot; &amp;lt;br /&amp;gt; https://www.youtube.com/watch?v=AtZCKu-Swgo&amp;lt;br /&amp;gt; -~-~~-~~~-~~-~-&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
   <media:thumbnail url="https://eng.videoess.com/uploads/thumbs/89659e293-1.jpg" />
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   <title>Hollywood Without Make-Up (1963)</title>
   <link>https://eng.videoess.com/hollywood-without-make-up-1963_6982eee6f.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/6982eee6f-1.jpg"  /></p>Features footage of:<br />
Eddie Albert, June Allyson, George K. Arthur, Mary Astor, Lew Ayres, Max Baer, Lucille Ball, Richard Barthelmess, Rex Bell, Edgar Bergen, Sally Blane, Humphrey Bogart, John Boles, Pat Boone, Eddie Borden, Hobart Bosworth, Clara Bow, William Boyd, Fanny Brice, Paul Brooks, Joe E. Brown, Johnny Mack Brown, Virginia Bruce, Rory Calhoun, Leo Carrillo, Charles Chaplin, Lew Cody, William Collier Jr., Russ Columbo, Gary Cooper, Jackie Cooper, Jeanne Crain, Robert Cummings, Linda Darnell, Marion Davies, Joan Davis, Olivia de Havilland, Dolores del Rio, Cecil B. DeMille, Jack Dempsey, Walt Disney, Kirk Douglas, Marie Dressler, Irene Dunne, Josephine Dunn, Stuart Erwin, Ruth Etting, Douglas Fairbanks, Douglas Fairbanks Jr., Charles Farrell, Todd Fisher, Errol Flynn, Joan Fontaine, Glenn Ford, Clark Gable, Greta Garbo, Reginald Gardiner, Cary Grant, Alan Hale, Oliver Hardy, William Randolph Hearst, Jean Hersholt, William Holden, Bob Hope, Hedda Hopper, Walter Huston, Sam Jaffe, Van Johnson, Buck Jones, Hope Lange, Charles Laughton, Stan Laurel, Gertrude Lawrence, Mervyn LeRoy, Charles Lindbergh, Carole Lombard, William Lundigan, Fred MacMurray, Jayne Mansfield, George Marshall, Herbert Marshall, Chico Marx, Groucho Marx, Harpo Marx, Joel McCrea, Victor McLaglen, Adolphe Menjou, Mayo Methot, Marilyn Monroe, Frank Morgan, Wayne Morris, Jean Parker, Louella Parsons, Mary Pickford, Dick Powell, Tyrone Power, George Raft, Gregory Ratoff, Donna Reed, Debbie Reynolds, Buddy Rogers, Charles Ruggles, Albert Schweitzer, George Seaton, Norma Shearer, George Stevens, Lewis Stone, Margaret Sullavan, Robert Taylor, William T. Tilden, George Tobias, Spencer Tracy, Lupe Velez, Jimmy Walker, John Wayne, Johnny Weissmuller, Mae West, Claire Windsor, Robert Woolsey, Jane Wyman and others<br />
<br />
-~-~~-~~~-~~-~-<br />
Please watch: "An American in Berlin? - Oliver Hardy ~ with Philip Hutchinson" <br />
➨ https://www.youtube.com/watch?v=Joj2rg0j4n8<br />
-~-~~-~~~-~~-~- Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838]]></description>
   <pubDate>Sat, 21 Jul 2018 01:44:08 +0000</pubDate>
   <media:content medium="video" duration="2892"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Hollywood Without Make-Up (1963)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/6982eee6f-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Features footage of:&amp;lt;br /&amp;gt;
Eddie Albert, June Allyson, George K. Arthur, Mary Astor, Lew Ayres, Max Baer, Lucille Ball, Richard Barthelmess, Rex Bell, Edgar Bergen, Sally Blane, Humphrey Bogart, John Boles, Pat Boone, Eddie Borden, Hobart Bosworth, Clara Bow, William Boyd, Fanny Brice, Paul Brooks, Joe E. Brown, Johnny Mack Brown, Virginia Bruce, Rory Calhoun, Leo Carrillo, Charles Chaplin, Lew Cody, William Collier Jr., Russ Columbo, Gary Cooper, Jackie Cooper, Jeanne Crain, Robert Cummings, Linda Darnell, Marion Davies, Joan Davis, Olivia de Havilland, Dolores del Rio, Cecil B. DeMille, Jack Dempsey, Walt Disney, Kirk Douglas, Marie Dressler, Irene Dunne, Josephine Dunn, Stuart Erwin, Ruth Etting, Douglas Fairbanks, Douglas Fairbanks Jr., Charles Farrell, Todd Fisher, Errol Flynn, Joan Fontaine, Glenn Ford, Clark Gable, Greta Garbo, Reginald Gardiner, Cary Grant, Alan Hale, Oliver Hardy, William Randolph Hearst, Jean Hersholt, William Holden, Bob Hope, Hedda Hopper, Walter Huston, Sam Jaffe, Van Johnson, Buck Jones, Hope Lange, Charles Laughton, Stan Laurel, Gertrude Lawrence, Mervyn LeRoy, Charles Lindbergh, Carole Lombard, William Lundigan, Fred MacMurray, Jayne Mansfield, George Marshall, Herbert Marshall, Chico Marx, Groucho Marx, Harpo Marx, Joel McCrea, Victor McLaglen, Adolphe Menjou, Mayo Methot, Marilyn Monroe, Frank Morgan, Wayne Morris, Jean Parker, Louella Parsons, Mary Pickford, Dick Powell, Tyrone Power, George Raft, Gregory Ratoff, Donna Reed, Debbie Reynolds, Buddy Rogers, Charles Ruggles, Albert Schweitzer, George Seaton, Norma Shearer, George Stevens, Lewis Stone, Margaret Sullavan, Robert Taylor, William T. Tilden, George Tobias, Spencer Tracy, Lupe Velez, Jimmy Walker, John Wayne, Johnny Weissmuller, Mae West, Claire Windsor, Robert Woolsey, Jane Wyman and others&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
-~-~~-~~~-~~-~-&amp;lt;br /&amp;gt;
Please watch: &quot;An American in Berlin? - Oliver Hardy ~ with Philip Hutchinson&quot; &amp;lt;br /&amp;gt;
➨ https://www.youtube.com/watch?v=Joj2rg0j4n8&amp;lt;br /&amp;gt;
-~-~~-~~~-~~-~- Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838]]&amp;gt;</media:description>
   <media:thumbnail url="https://eng.videoess.com/uploads/thumbs/6982eee6f-1.jpg" />
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   <title>Hollywood Without Make-Up (1963)</title>
   <link>https://eng.videoess.com/hollywood-without-make-up-1963_40450210a.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/40450210a-1.jpg"  /></p>Features footage of:<br />
Eddie Albert, June Allyson, George K. Arthur, Mary Astor, Lew Ayres, Max Baer, Lucille Ball, Richard Barthelmess, Rex Bell, Edgar Bergen, Sally Blane, Humphrey Bogart, John Boles, Pat Boone, Eddie Borden, Hobart Bosworth, Clara Bow, William Boyd, Fanny Brice, Paul Brooks, Joe E. Brown, Johnny Mack Brown, Virginia Bruce, Rory Calhoun, Leo Carrillo, Charles Chaplin, Lew Cody, William Collier Jr., Russ Columbo, Gary Cooper, Jackie Cooper, Jeanne Crain, Robert Cummings, Linda Darnell, Marion Davies, Joan Davis, Olivia de Havilland, Dolores del Rio, Cecil B. DeMille, Jack Dempsey, Walt Disney, Kirk Douglas, Marie Dressler, Irene Dunne, Josephine Dunn, Stuart Erwin, Ruth Etting, Douglas Fairbanks, Douglas Fairbanks Jr., Charles Farrell, Todd Fisher, Errol Flynn, Joan Fontaine, Glenn Ford, Clark Gable, Greta Garbo, Reginald Gardiner, Cary Grant, Alan Hale, Oliver Hardy, William Randolph Hearst, Jean Hersholt, William Holden, Bob Hope, Hedda Hopper, Walter Huston, Sam Jaffe, Van Johnson, Buck Jones, Hope Lange, Charles Laughton, Stan Laurel, Gertrude Lawrence, Mervyn LeRoy, Charles Lindbergh, Carole Lombard, William Lundigan, Fred MacMurray, Jayne Mansfield, George Marshall, Herbert Marshall, Chico Marx, Groucho Marx, Harpo Marx, Joel McCrea, Victor McLaglen, Adolphe Menjou, Mayo Methot, Marilyn Monroe, Frank Morgan, Wayne Morris, Jean Parker, Louella Parsons, Mary Pickford, Dick Powell, Tyrone Power, George Raft, Gregory Ratoff, Donna Reed, Debbie Reynolds, Buddy Rogers, Charles Ruggles, Albert Schweitzer, George Seaton, Norma Shearer, George Stevens, Lewis Stone, Margaret Sullavan, Robert Taylor, William T. Tilden, George Tobias, Spencer Tracy, Lupe Velez, Jimmy Walker, John Wayne, Johnny Weissmuller, Mae West, Claire Windsor, Robert Woolsey, Jane Wyman and others<br />
<br />
-~-~~-~~~-~~-~-<br />
Please watch: "An American in Berlin? - Oliver Hardy ~ with Philip Hutchinson" <br />
➨ https://www.youtube.com/watch?v=Joj2rg0j4n8<br />
-~-~~-~~~-~~-~- Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838]]></description>
   <pubDate>Sat, 21 Jul 2018 01:44:07 +0000</pubDate>
   <media:content medium="video" duration="2892"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Hollywood Without Make-Up (1963)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/40450210a-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Features footage of:&amp;lt;br /&amp;gt;
Eddie Albert, June Allyson, George K. Arthur, Mary Astor, Lew Ayres, Max Baer, Lucille Ball, Richard Barthelmess, Rex Bell, Edgar Bergen, Sally Blane, Humphrey Bogart, John Boles, Pat Boone, Eddie Borden, Hobart Bosworth, Clara Bow, William Boyd, Fanny Brice, Paul Brooks, Joe E. Brown, Johnny Mack Brown, Virginia Bruce, Rory Calhoun, Leo Carrillo, Charles Chaplin, Lew Cody, William Collier Jr., Russ Columbo, Gary Cooper, Jackie Cooper, Jeanne Crain, Robert Cummings, Linda Darnell, Marion Davies, Joan Davis, Olivia de Havilland, Dolores del Rio, Cecil B. DeMille, Jack Dempsey, Walt Disney, Kirk Douglas, Marie Dressler, Irene Dunne, Josephine Dunn, Stuart Erwin, Ruth Etting, Douglas Fairbanks, Douglas Fairbanks Jr., Charles Farrell, Todd Fisher, Errol Flynn, Joan Fontaine, Glenn Ford, Clark Gable, Greta Garbo, Reginald Gardiner, Cary Grant, Alan Hale, Oliver Hardy, William Randolph Hearst, Jean Hersholt, William Holden, Bob Hope, Hedda Hopper, Walter Huston, Sam Jaffe, Van Johnson, Buck Jones, Hope Lange, Charles Laughton, Stan Laurel, Gertrude Lawrence, Mervyn LeRoy, Charles Lindbergh, Carole Lombard, William Lundigan, Fred MacMurray, Jayne Mansfield, George Marshall, Herbert Marshall, Chico Marx, Groucho Marx, Harpo Marx, Joel McCrea, Victor McLaglen, Adolphe Menjou, Mayo Methot, Marilyn Monroe, Frank Morgan, Wayne Morris, Jean Parker, Louella Parsons, Mary Pickford, Dick Powell, Tyrone Power, George Raft, Gregory Ratoff, Donna Reed, Debbie Reynolds, Buddy Rogers, Charles Ruggles, Albert Schweitzer, George Seaton, Norma Shearer, George Stevens, Lewis Stone, Margaret Sullavan, Robert Taylor, William T. Tilden, George Tobias, Spencer Tracy, Lupe Velez, Jimmy Walker, John Wayne, Johnny Weissmuller, Mae West, Claire Windsor, Robert Woolsey, Jane Wyman and others&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
-~-~~-~~~-~~-~-&amp;lt;br /&amp;gt;
Please watch: &quot;An American in Berlin? - Oliver Hardy ~ with Philip Hutchinson&quot; &amp;lt;br /&amp;gt;
➨ https://www.youtube.com/watch?v=Joj2rg0j4n8&amp;lt;br /&amp;gt;
-~-~~-~~~-~~-~- Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838]]&amp;gt;</media:description>
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   <title>Yu guang qu (1934)</title>
   <link>https://eng.videoess.com/yu-guang-qu-1934_292888782.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/292888782-1.jpg"  /></p>Song of the Fishermen is an early Chinese silent film directed by Cai Chusheng in 1934, and produced by the Lianhua Film Company.<br />
<br />
徐福是一个贫苦的渔民，他是大船户何人斋的佃农，他和妻子养育了一儿一女小猴和小猫。一天，徐福出海不幸身亡，徐妻只能离开孩子到何家当奶妈，很多年后，小猴和小猫也以捕鱼为生了。何家的少爷子英出国学习渔业，何人斋娶了交际花薛琦..<br />
<br />
 Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838<br />
<br />
-~-~~-~~~-~~-~-<br />
Please watch: "THE LAST MAN ON EARTH" <br />
https://www.youtube.com/watch?v=AtZCKu-Swgo<br />
-~-~~-~~~-~~-~-]]></description>
   <pubDate>Thu, 19 Jul 2018 11:22:36 +0000</pubDate>
   <media:content medium="video" duration="3362"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Yu guang qu (1934)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/292888782-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Song of the Fishermen is an early Chinese silent film directed by Cai Chusheng in 1934, and produced by the Lianhua Film Company.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
徐福是一个贫苦的渔民，他是大船户何人斋的佃农，他和妻子养育了一儿一女小猴和小猫。一天，徐福出海不幸身亡，徐妻只能离开孩子到何家当奶妈，很多年后，小猴和小猫也以捕鱼为生了。何家的少爷子英出国学习渔业，何人斋娶了交际花薛琦..&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
 Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
-~-~~-~~~-~~-~-&amp;lt;br /&amp;gt;
Please watch: &quot;THE LAST MAN ON EARTH&quot; &amp;lt;br /&amp;gt;
https://www.youtube.com/watch?v=AtZCKu-Swgo&amp;lt;br /&amp;gt;
-~-~~-~~~-~~-~-]]&amp;gt;</media:description>
   <media:thumbnail url="https://eng.videoess.com/uploads/thumbs/292888782-1.jpg" />
   </media:content>
   <guid>https://eng.videoess.com/yu-guang-qu-1934_292888782.html</guid>
  </item>
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   <title>Martin Luther: His Life and Time (1923)</title>
   <link>https://eng.videoess.com/martin-luther-his-life-and-time-1923_053d32de6.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/053d32de6-1.jpg"  /></p>An early Martin Luther biography.]]></description>
   <pubDate>Tue, 17 Jul 2018 22:09:20 +0000</pubDate>
   <media:content medium="video" duration="1053"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Martin Luther: His Life and Time (1923)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/053d32de6-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;An early Martin Luther biography.]]&amp;gt;</media:description>
   <media:thumbnail url="https://eng.videoess.com/uploads/thumbs/053d32de6-1.jpg" />
   </media:content>
   <guid>https://eng.videoess.com/martin-luther-his-life-and-time-1923_053d32de6.html</guid>
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   <title>Prelude to War (1942)</title>
   <link>https://eng.videoess.com/prelude-to-war-1942_472e29921.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/472e29921-1.jpg"  /></p>The first part of a series of films produced by the United States War Department during World War II.  The series explained the reasons for the  war effort up to that time.  This first part covers the rise of Fascism in Italy, Nazism in Germany, and Militarism in Japan and juxtaposes their political and social systems with that of the   It also portrays the first examples of Japanese aggression in Manchuria and China, as well as the example of Italian aggression in Ethiopia. Supervised and Directed by Frank Capra.      Be mindful of the ethnic stereotypes in this film.<br />
The U. S. War Department<br />
<br />
Help us caption & translate this video!<br />
<br />
http://amara.org/v/G85E/<br />
<br />
 Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838<br />
<br />
-~-~~-~~~-~~-~-<br />
Please watch: "THE LAST MAN ON EARTH" <br />
https://www.youtube.com/watch?v=AtZCKu-Swgo<br />
-~-~~-~~~-~~-~-]]></description>
   <pubDate>Mon, 09 Jul 2018 10:43:32 +0000</pubDate>
   <media:content medium="video" duration="3142"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Prelude to War (1942)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/472e29921-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;The first part of a series of films produced by the United States War Department during World War II.  The series explained the reasons for the  war effort up to that time.  This first part covers the rise of Fascism in Italy, Nazism in Germany, and Militarism in Japan and juxtaposes their political and social systems with that of the   It also portrays the first examples of Japanese aggression in Manchuria and China, as well as the example of Italian aggression in Ethiopia. Supervised and Directed by Frank Capra.      Be mindful of the ethnic stereotypes in this film.&amp;lt;br /&amp;gt;
The U. S. War Department&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Help us caption &amp; translate this video!&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
http://amara.org/v/G85E/&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
 Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
-~-~~-~~~-~~-~-&amp;lt;br /&amp;gt;
Please watch: &quot;THE LAST MAN ON EARTH&quot; &amp;lt;br /&amp;gt;
https://www.youtube.com/watch?v=AtZCKu-Swgo&amp;lt;br /&amp;gt;
-~-~~-~~~-~~-~-]]&amp;gt;</media:description>
   <media:thumbnail url="https://eng.videoess.com/uploads/thumbs/472e29921-1.jpg" />
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   <title>Divide and Conquer (1943)</title>
   <link>https://eng.videoess.com/divide-and-conquer-1943_be7d89846.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/be7d89846-1.jpg"  /></p>Divide and Conquer (1943) - The campaign in Benelux and the Fall of France.<br />
The following background information is from <br />
Why We Fight is a series of seven propaganda films commissioned by the United States government during World War II to demonstrate to American soldiers the reason for  involvement in the war. Later on they were also shown to the general  public to persuade them to support American involvement in the war.<br />
Most of the films were directed by Frank Capra, who was daunted yet also impressed and challenged by Leni Riefenstahl's propaganda film Triumph of the Will and who worked in direct response to it. The series faced a tough challenge: convincing an only recently non-interventionist nation of the need to become involved in the war and ally with the Soviets, among other things. In many of the films, Capra and other directors spliced in Axis powers propaganda footage—recontextualizing it so it promoted the cause of the Allies instead.<br />
Why We Fight was edited primarily by William Hornbeck and is among the best examples of stock-footage montage ever produced, although some parts were re-enacted "under War Department supervision" if there was no relevant footage available. The animated portions of the films were produced by the Disney studios -- with the animated maps following a convention of depicting Axis-occupied territory in black.<br />
The films were narrated by Academy Award winning actor Walter Huston. This narration, though factual for the most part, is replete with nationalist and racist rhetoric describing implacably warlike Germans and "blood-crazed Japs." Conversely, it lionizes the courage and sacrifice of the British, Soviets, and Chinese.<br />
At the end of each film, the quotation from Army Chief of Staff George Marshall that "...the victory of the democracies can only be complete with the utter defeat of the war machines of Germany and Japan." is shown on screen, followed by a ringing Liberty Bell over which is superimposed a large letter "V" zooming into the screen, accompanied by patriotic or military music on the soundtrack.<br />
Why We Fight also contains many scenes from Triumph of the Will when talking about the Nazis. .<br />
.<br />
S88TV1 - Transport, technology, and general interest movies from the past - newsreels, documentaries & publicity films from my archives.<br />
<br />
Help us caption & translate this video!<br />
<br />
http://amara.org/v/G85G/<br />
<br />
 Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838<br />
<br />
-~-~~-~~~-~~-~-<br />
Please watch: "THE LAST MAN ON EARTH" <br />
https://www.youtube.com/watch?v=AtZCKu-Swgo<br />
-~-~~-~~~-~~-~-]]></description>
   <pubDate>Mon, 09 Jul 2018 10:43:32 +0000</pubDate>
   <media:content medium="video" duration="3383"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Divide and Conquer (1943)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/be7d89846-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Divide and Conquer (1943) - The campaign in Benelux and the Fall of France.&amp;lt;br /&amp;gt;
The following background information is from &amp;lt;br /&amp;gt;
Why We Fight is a series of seven propaganda films commissioned by the United States government during World War II to demonstrate to American soldiers the reason for  involvement in the war. Later on they were also shown to the general  public to persuade them to support American involvement in the war.&amp;lt;br /&amp;gt;
Most of the films were directed by Frank Capra, who was daunted yet also impressed and challenged by Leni Riefenstahl&apos;s propaganda film Triumph of the Will and who worked in direct response to it. The series faced a tough challenge: convincing an only recently non-interventionist nation of the need to become involved in the war and ally with the Soviets, among other things. In many of the films, Capra and other directors spliced in Axis powers propaganda footage—recontextualizing it so it promoted the cause of the Allies instead.&amp;lt;br /&amp;gt;
Why We Fight was edited primarily by William Hornbeck and is among the best examples of stock-footage montage ever produced, although some parts were re-enacted &quot;under War Department supervision&quot; if there was no relevant footage available. The animated portions of the films were produced by the Disney studios -- with the animated maps following a convention of depicting Axis-occupied territory in black.&amp;lt;br /&amp;gt;
The films were narrated by Academy Award winning actor Walter Huston. This narration, though factual for the most part, is replete with nationalist and racist rhetoric describing implacably warlike Germans and &quot;blood-crazed Japs.&quot; Conversely, it lionizes the courage and sacrifice of the British, Soviets, and Chinese.&amp;lt;br /&amp;gt;
At the end of each film, the quotation from Army Chief of Staff George Marshall that &quot;...the victory of the democracies can only be complete with the utter defeat of the war machines of Germany and Japan.&quot; is shown on screen, followed by a ringing Liberty Bell over which is superimposed a large letter &quot;V&quot; zooming into the screen, accompanied by patriotic or military music on the soundtrack.&amp;lt;br /&amp;gt;
Why We Fight also contains many scenes from Triumph of the Will when talking about the Nazis. .&amp;lt;br /&amp;gt;
.&amp;lt;br /&amp;gt;
S88TV1 - Transport, technology, and general interest movies from the past - newsreels, documentaries &amp; publicity films from my archives.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Help us caption &amp; translate this video!&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
http://amara.org/v/G85G/&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
 Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
-~-~~-~~~-~~-~-&amp;lt;br /&amp;gt;
Please watch: &quot;THE LAST MAN ON EARTH&quot; &amp;lt;br /&amp;gt;
https://www.youtube.com/watch?v=AtZCKu-Swgo&amp;lt;br /&amp;gt;
-~-~~-~~~-~~-~-]]&amp;gt;</media:description>
   <media:thumbnail url="https://eng.videoess.com/uploads/thumbs/be7d89846-1.jpg" />
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   <title>War Comes to America (1945)</title>
   <link>https://eng.videoess.com/war-comes-to-america-1945_04cd9ea52.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/04cd9ea52-1.jpg"  /></p>War Comes to America is the seventh and final film of Frank Capra's Why We Fight World War II propaganda film series.<br />
The early part of the film is an idealized version of American history which includes mention of the first settlements, the American Revolutionary War (omitting the American Civil War), and the ethnic diversity of America. It lists 22 immigrant nationalities, 19 of them European, and uses the then-current terms "Negro", "Jap", and "Chinaman". This section of the film concludes with a lengthy paean to American inventiveness, economic abundance, and social ideals.<br />
The run-up to World War II is then described, beginning in 1931 with the Japanese invasion of Manchuria. The film examines how American public opinion gradually changed from one of isolationism to one of support for the Allied cause, and demonstrates this using a series of Gallup polls.<br />
In 1936, public opinion is firmly isolationist, with 95% of Americans answering NO to the question "If another world war develops in Europe, should America take part again?". Congress responded with an arms embargo and a "Cash and carry rule" when trading with belligerents in raw materials.<br />
In September 1937, the question "In the current fight between Japan and China, are your sympathies with either side?" is answered CHINA 43%, JAPAN 2%, UNDECIDED 55%, while in June 1939 the same question gives a 74% vote for China. Anti-Japanese sentiment thus forced the US government to block trade in oil and scrap iron with Japan.<br />
In October 1939, 82% of Americans blame Germany for starting the war in Europe, while in January 1941, after the Fall of France, and also the founding of the Tripartite Pact, which was clearly aimed against the United States, the question "Should we keep out of war, or aid Britain, even at the risk of war?", AID BRITAIN got 68% of the vote. This increase in pro-Allied sentiment triggers Lend Lease aid to Britain (and to the Soviet Union after it is attacked by Germany).<br />
Towards the end the film argues in detail (to a backdrop of animated maps and diagrams) that American involvement in the war was essential in terms of self-defense. The dire consequences for the United States of an Axis victory in Eurasia are spelled out:<br />
In 2000 the United States Library of Congress deemed the films "culturally significant" and selected them for preservation in the National Film Registry. Created by the  Army Pictorial Services, the films are in the public domain; all of them are available for download at the Internet Archive.<br />
Director: Frank Capra, <br />
Production Company:  Army Pictorial Services<br />
Audio/Visual: sound, b&w<br />
Keywords: documentary; war<br />
Creative Commons license: Public Domain<br />
<br />
Help us caption & translate this video!<br />
<br />
http://amara.org/v/G0To/<br />
<br />
 Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838<br />
<br />
-~-~~-~~~-~~-~-<br />
Please watch: "THE LAST MAN ON EARTH" <br />
https://www.youtube.com/watch?v=AtZCKu-Swgo<br />
-~-~~-~~~-~~-~-]]></description>
   <pubDate>Fri, 06 Jul 2018 18:29:07 +0000</pubDate>
   <media:content medium="video" duration="3731"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>War Comes to America (1945)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/04cd9ea52-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;War Comes to America is the seventh and final film of Frank Capra&apos;s Why We Fight World War II propaganda film series.&amp;lt;br /&amp;gt;
The early part of the film is an idealized version of American history which includes mention of the first settlements, the American Revolutionary War (omitting the American Civil War), and the ethnic diversity of America. It lists 22 immigrant nationalities, 19 of them European, and uses the then-current terms &quot;Negro&quot;, &quot;Jap&quot;, and &quot;Chinaman&quot;. This section of the film concludes with a lengthy paean to American inventiveness, economic abundance, and social ideals.&amp;lt;br /&amp;gt;
The run-up to World War II is then described, beginning in 1931 with the Japanese invasion of Manchuria. The film examines how American public opinion gradually changed from one of isolationism to one of support for the Allied cause, and demonstrates this using a series of Gallup polls.&amp;lt;br /&amp;gt;
In 1936, public opinion is firmly isolationist, with 95% of Americans answering NO to the question &quot;If another world war develops in Europe, should America take part again?&quot;. Congress responded with an arms embargo and a &quot;Cash and carry rule&quot; when trading with belligerents in raw materials.&amp;lt;br /&amp;gt;
In September 1937, the question &quot;In the current fight between Japan and China, are your sympathies with either side?&quot; is answered CHINA 43%, JAPAN 2%, UNDECIDED 55%, while in June 1939 the same question gives a 74% vote for China. Anti-Japanese sentiment thus forced the US government to block trade in oil and scrap iron with Japan.&amp;lt;br /&amp;gt;
In October 1939, 82% of Americans blame Germany for starting the war in Europe, while in January 1941, after the Fall of France, and also the founding of the Tripartite Pact, which was clearly aimed against the United States, the question &quot;Should we keep out of war, or aid Britain, even at the risk of war?&quot;, AID BRITAIN got 68% of the vote. This increase in pro-Allied sentiment triggers Lend Lease aid to Britain (and to the Soviet Union after it is attacked by Germany).&amp;lt;br /&amp;gt;
Towards the end the film argues in detail (to a backdrop of animated maps and diagrams) that American involvement in the war was essential in terms of self-defense. The dire consequences for the United States of an Axis victory in Eurasia are spelled out:&amp;lt;br /&amp;gt;
In 2000 the United States Library of Congress deemed the films &quot;culturally significant&quot; and selected them for preservation in the National Film Registry. Created by the  Army Pictorial Services, the films are in the public domain; all of them are available for download at the Internet Archive.&amp;lt;br /&amp;gt;
Director: Frank Capra, &amp;lt;br /&amp;gt;
Production Company:  Army Pictorial Services&amp;lt;br /&amp;gt;
Audio/Visual: sound, b&amp;w&amp;lt;br /&amp;gt;
Keywords: documentary; war&amp;lt;br /&amp;gt;
Creative Commons license: Public Domain&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Help us caption &amp; translate this video!&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
http://amara.org/v/G0To/&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
 Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
-~-~~-~~~-~~-~-&amp;lt;br /&amp;gt;
Please watch: &quot;THE LAST MAN ON EARTH&quot; &amp;lt;br /&amp;gt;
https://www.youtube.com/watch?v=AtZCKu-Swgo&amp;lt;br /&amp;gt;
-~-~~-~~~-~~-~-]]&amp;gt;</media:description>
   <media:thumbnail url="https://eng.videoess.com/uploads/thumbs/04cd9ea52-1.jpg" />
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   <title>Hollywood Without Make-Up (1963)</title>
   <link>https://eng.videoess.com/hollywood-without-make-up-1963_ae3e2396d.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/ae3e2396d-1.jpg"  /></p>Directors: Rudy Behlmer (as Rudy Behlmar), Loring d'Usseau (as Loring D. D'Usseau) <br />
Writer: Royal Foster<br />
Stars: Ken Murray, Eddie Albert, June Allyson]]></description>
   <pubDate>Fri, 06 Jul 2018 17:59:33 +0000</pubDate>
   <media:content medium="video" duration="2892"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Hollywood Without Make-Up (1963)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/ae3e2396d-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Directors: Rudy Behlmer (as Rudy Behlmar), Loring d&apos;Usseau (as Loring D. D&apos;Usseau) &amp;lt;br /&amp;gt;
Writer: Royal Foster&amp;lt;br /&amp;gt;
Stars: Ken Murray, Eddie Albert, June Allyson]]&amp;gt;</media:description>
   <media:thumbnail url="https://eng.videoess.com/uploads/thumbs/ae3e2396d-1.jpg" />
   </media:content>
   <guid>https://eng.videoess.com/hollywood-without-make-up-1963_ae3e2396d.html</guid>
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   <title>Route 66: An American Bad Dream (2004)</title>
   <link>https://eng.videoess.com/route-66-an-american-bad-dream-2004_882eb8a92.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/882eb8a92-1.jpg"  /></p>Three German provincials are searching for hollywood. So they take the most American values, they can picture: an absurdly vast car, full of fastfood, bottles of oil and camera equipment on the way to California via Route 66. That they never find Hollywood is not the only surprise - on their quest for the American cliches they face unplanned incidents. A documentary drama somewhere between Jackass and Michael Moore, between gloating and satire.]]></description>
   <pubDate>Fri, 06 Jul 2018 17:59:31 +0000</pubDate>
   <media:content medium="video" duration="6206"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Route 66: An American Bad Dream (2004)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/882eb8a92-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Three German provincials are searching for hollywood. So they take the most American values, they can picture: an absurdly vast car, full of fastfood, bottles of oil and camera equipment on the way to California via Route 66. That they never find Hollywood is not the only surprise - on their quest for the American cliches they face unplanned incidents. A documentary drama somewhere between Jackass and Michael Moore, between gloating and satire.]]&amp;gt;</media:description>
   <media:thumbnail url="https://eng.videoess.com/uploads/thumbs/882eb8a92-1.jpg" />
   </media:content>
   <guid>https://eng.videoess.com/route-66-an-american-bad-dream-2004_882eb8a92.html</guid>
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   <title>Industrial Britain (1931)</title>
   <link>https://eng.videoess.com/industrial-britain-1931_4a2981f1d.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/4a2981f1d-1.jpg"  /></p>A 1931 Documentary.]]></description>
   <pubDate>Fri, 06 Jul 2018 17:59:28 +0000</pubDate>
   <media:content medium="video" duration="1270"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Industrial Britain (1931)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/4a2981f1d-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;A 1931 Documentary.]]&amp;gt;</media:description>
   <media:thumbnail url="https://eng.videoess.com/uploads/thumbs/4a2981f1d-1.jpg" />
   </media:content>
   <guid>https://eng.videoess.com/industrial-britain-1931_4a2981f1d.html</guid>
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   <title>Liz Taylor - Elizabeth Taylor - Her Life (Extract)</title>
   <link>https://eng.videoess.com/liz-taylor-elizabeth-taylor-her-life-extract_bd0608cc1.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/bd0608cc1-1.jpg"  /></p><p>Dame Elizabeth Rosemond Taylor, DBE (February 27, 1932 &ndash; March 23, 2011) was an English-American actress, businesswoman and humanitarian. She began as a child actress in the early 1940s, and was one of the most popular stars of classical Hollywood cinema in the 1950s. She continued her career successfully into the 1960s, and remained a well-known public figure for the rest of her life. The American Film Institute named her the seventh greatest female screen legend in 1999. Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838<br /> <br /><br /></p>]]></description>
   <pubDate>Thu, 13 Jul 2017 20:29:13 +0000</pubDate>
   <media:content medium="video" duration="1260"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://eng.videoess.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Liz Taylor - Elizabeth Taylor - Her Life (Extract)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/bd0608cc1-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;Dame Elizabeth Rosemond Taylor, DBE (February 27, 1932 &amp;ndash; March 23, 2011) was an English-American actress, businesswoman and humanitarian. She began as a child actress in the early 1940s, and was one of the most popular stars of classical Hollywood cinema in the 1950s. She continued her career successfully into the 1960s, and remained a well-known public figure for the rest of her life. The American Film Institute named her the seventh greatest female screen legend in 1999. Donate for our restoration project of historic material: http://www.leetchi.com/c/pool-von-interpathe-16620838&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
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   <title>Michael Jackson: The Secrets of a Legend</title>
   <link>https://eng.videoess.com/michael-jackson-the-secrets-of-a-legend_cd0c071ba.html</link>
   <description><![CDATA[<p><img src="https://eng.videoess.com/uploads/thumbs/cd0c071ba-1.jpg"  /></p>On June 25, 2009 the world was struck with the tragic & untimely death of the biggest pop icon of our time. His death left so many questions unanswered. Did he simply die a natural death, or was he in fact murdered? What secrets were buried with the legend? This documentary reveals a side of Michael Jackson unkknown to the public. Few fans had any knowledge that Jackson was investigated by STASI (the secret service of Eastern Germany) for political motives that will come to light in this riveting documentary. Evidence that he was very active in political circles is encapsulated here by public photos and footage with former US presidents Ronald Reagan, George H. W. Bush, and Princess Diana, the connection Michael Jackson had to the secret service and top political figures, and how he was much more than "The King of Pop" in those circles. This film delves deep into the man that was Jackson and uncovers the layers of truths behind the mysteries that the public was previously shielded from. Michael Jackson was the true "King of Pop". Yet following his tragic death, many questions remain unanswered. This eye opening film, "The Secrets of a Legend" describes Jackson's life behind the scenes in great detail presenting a side of the pop icon the public has never known. Michael Jackson is a true legend. However, like all music icons that died tragically before him, he had many secrets. Only after death can these secrets be revealed.]]></description>
   <pubDate>Wed, 28 Jun 2017 19:07:19 +0000</pubDate>
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   <media:title>Michael Jackson: The Secrets of a Legend</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://eng.videoess.com/uploads/thumbs/cd0c071ba-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;On June 25, 2009 the world was struck with the tragic &amp; untimely death of the biggest pop icon of our time. His death left so many questions unanswered. Did he simply die a natural death, or was he in fact murdered? What secrets were buried with the legend? This documentary reveals a side of Michael Jackson unkknown to the public. Few fans had any knowledge that Jackson was investigated by STASI (the secret service of Eastern Germany) for political motives that will come to light in this riveting documentary. Evidence that he was very active in political circles is encapsulated here by public photos and footage with former US presidents Ronald Reagan, George H. W. Bush, and Princess Diana, the connection Michael Jackson had to the secret service and top political figures, and how he was much more than &quot;The King of Pop&quot; in those circles. This film delves deep into the man that was Jackson and uncovers the layers of truths behind the mysteries that the public was previously shielded from. Michael Jackson was the true &quot;King of Pop&quot;. Yet following his tragic death, many questions remain unanswered. This eye opening film, &quot;The Secrets of a Legend&quot; describes Jackson&apos;s life behind the scenes in great detail presenting a side of the pop icon the public has never known. Michael Jackson is a true legend. However, like all music icons that died tragically before him, he had many secrets. Only after death can these secrets be revealed.]]&amp;gt;</media:description>
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